Tsai Ming-liang’s Days is the type of film the words “deliberately paced” was invented for. This meditative, virtually wordless film relishes in its slowness to the extent it’ll test the patience of many film-goers. Director Tsai Ming-liang allows his shots to linger in a way that’s a contrast to modern cinema. These shots, static and ponderous, linger on day to day activities in a busy city as people go about their lives. Among these people are Kang and Nom, one lives alone in a large house and the other in a small apartment. We follow these two as they go through the day, until they finally meet in a small motel bedroom.