Set in late Medieval Japan, Kai
(Keanu Reeves) is a half-Japanese, half British 'halfbreed' who was found and
accepted into the Ako household by Lord Asano Naganori (Min Tanaka), the lord of
the Domain of Ako. Ako hosts a small gladiator like tournament which brings the
shogun's master of ceremonies to the domain of Ako. This presents Lord Kira
(Tadanobu Asano) and his witch ally, Mizuki (Rinko Kikuchi), with an opportunity
to posses Lord Asano and force him to attack Lord Kira. The result is compulsory
Seppuku for Lord Asano and banishment for Oishi (Hiroyuki Sanada), Kai and the
remaining samurai. However, the code of the samurai compels them to avenge the
death of their lord.
47 Ronin's production was a notably troubled one as delays, studio demands
and reshoots inflated the budget to a needlessly high $200,000,000. 47 Ronin was scheduled for release in
December 2012 but was released an entire year later so that the reshoots could
be done (this naturally inflated the budget). Frequently enough to be of a
concern production issues can lead to a financial disaster and a poor finished
product, 47 Ronin continued that
trend as the film failed to recoup the
vast amount of money spent on the film.
The fault of the film's failure to break even perhaps
lies with the studio whose desire to add supernatural elements to the story
disappointed Japanese cinemagoers who disliked the lack of faithfulness to the true
to life story of real 47 Ronin. Also, much like John Carter, spending $200,000,000 on a film without any major
stars (all actors are Japanese with the exception of Keanu Reeves) is hard to
justify.
Writers Chris Morgan and Hossein Amini
attempt to create a story in the mould of Takashi Miike's 13 Assassins (with supernatural elements) but without the
political and social intrigue and gripping storyline. The film is let down by
uneven pacing, predictable plot lines, a dire love story and lack of character.
The final factor is exacerbated by Reeves' rather bland performance. Reeves
seems like a genuinely cool guy, but his performance here goes no further than
a grimace of pain when expressing his Kai's emotions.
Reeves poor, emotionless
performance is an issue in a role where negative emotions from to being sidelined and
discriminated against because of his "half breed" status could have
been used to make the central character somewhat interesting. No effective
development is devoted to his and Reeves makes Kai no more interesting than the
faceless 47 Ronin who follow the Samurai code, Bushido, and serve their lord
until their death. In contrast to Reeves, the rest of the cast do an impressive
job, most notably Rinko Kikuchi who seems to enjoying herself as the slithering
witch Mizuki.
Naturally with a film of the
nature of 47 Ronin films such as Akira
Kurosawa Seven Samurai and Takashi
Miike's 13 Assassins are clear influences,
all three of the films the heavily based on a major aspect of Japanese culture
and history and feature an epic battle in the film's final act. The action
sequences are the 47 Ronin's main highlight
as they are aptly directed and the sword fights are particularly well choreographed.
However, apart from the well choreographed
sword fights there is very little to write home about, the set pieces
themselves are good but shooting the film on green screen near Budapest (a
European well known for its similarity to feudal Japan) means the film loses a
degree of authenticity (don't see why they could not do location shooting as
they had a $200,000,000 budget). Further issues arise in the screenplay in
which the dialogue has its moments where it makes the dialogue from Mortal Kombat 3 look like literacy
masterwork.
47 Ronin let down by a number of factors but a rather bland Keanu
Reeves performance resulted in a film without an engaging central character to
act as an anchor to the viewer's dwindling interest which threatened to sail
away before things really got going.
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