Olivier Assayas’ Personal Shopper once again stars Kristen Stewart (the pair worked together
on the Clouds of Sils Maria) as a
sort of assistant to a famous individual. This time the individual in question
is the notoriously demanding fashion model Kyra (Nora von Waldstätten), who
Maureen (Stewart) acts as a personal shopper to. Maureen is also a medium and
spends most of her downtime trying to contact her recently deceased brother who
died of a heart condition of which Maureen also suffers.
In a Q and A, director Olivier
Assayas’ proclaimed his admiration for the genre filmmakers such as John
Carpenter, Wes Craven, and David Cronenberg. Personal Shopper is, in a
sense, a genre film, and revolves around loss which is a key theme of ghost
stories but Assayas’ film is more spiritual (like the horror films of Japan where
spiritualism in intertwined deeply in their culture) than the good vs evil of
American ghost stories. Assayas’ admires the aforementioned names, and has the
abilities to match them in generating tension. Assayas’ use of sound effects
(those creaking floorboards are very audible) and long takes adds to the tension
during the film’s most nerve-racking sequences.
Even though most ghost stories
are routed in traditional narratives (because of their origins), modern
technology plays a major role in invading Maureen’s life. In a subplot, which
has a somewhat disappointing resolution, Maureen is bombarded by messages by an
unknown individual that convinces her to do certain things she had desired to
but normally wouldn’t (wearing Kyra’s clothes for instance). Eventually, it all
culminates in a delightfully Hitchcock like sequence where Maureen, switching
her phone off Airplane mode, is bombarded by messages that reveal the sender to
get closer and closer to her with each text.
Despite the prevalence of modern
technologies, Personal Shopper centres around loss, a theme
common with the genre since its inception. Clearly reeling from the loss of her
twin brother, Maureen tries to contact him and will only leave Paris once she
has done so. Stewart is adept at showing the pain Maureen feels without the
histrionics, and does a great job a commanding the screen even if the majority
of her screen time is solo. Personal Shopper is a haunting tale about coping
with, and moving on, from a terrible loss.
4/5
Nice review! I've been intrigued by this since Cannes last year. I hope to see it soon.
ReplyDelete