Khaled (Sherwan Haji) emerges from the soot ready
to start a new life in Finland after escaping Syria and the brutal Civil War. Upon arrival he announces himself at the
Migrant Detention centre so that his application for asylum to Finland is
processed. The application is rejected, however, and whilst living on the
streets he meets Finnish restaurant owner Wikström (Sakari Kuosmanen) who
befriends him.
If you are in anyway privy to stereotypes of Finns,
then you will know that they are know to be quite a stoic, emotionless lot. So
deadpan comedy and Finland goes as well as France does with the image of man
wearing a beret riding a unicycle. The Fins supposed refusal to show emotion is
something that is joked about in Aki Kaurismäki’s latest film where it was
stated that a character would be deemed insane if they were to walk around the
streets smiling.
The expressionless and straight faced humour
often hits the mark (the various failed escapades of the restaurant are highlights)
and the delightful sight gags work brilliantly because of how surprising they
are. The bizarre setting matches the film’s deadpan humour as it appears that the
story takes place in this parallel world Helsinki where everything seems to be
jarringly dated and archaic.
Outside of the Deadpan humour is a timely story considering
the current migrant crisis, and it’s a story sensitively told as Khaled has to
deal with cold, detected and out of touch officials, racist thugs and on the
more positive side, kind and warm Finns. Sherwan Haji is superb in the role,
portraying a great sense of pride and strong resilience despite the horrendous
circumstances Khaled has endured.
Despite the deadpan humour, and seemingly
expressionless performance of the actors, the migrant story has a strong
emotional weight that engages the audience, and drags them into the story. It’s
a mark of a great director to combine a deadpan delivery with an important and
sensitive issue and come out with a film that’s perfectly impassive in its
humour and performances and yet greatly poignant. This is because The Other Side of Hope isn’t an
impassive film at heart, there’s a strong statement that condemns the coldness
of officials in such a clear case of a life or death situation.
4.5/5
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