Let’s face it 2019 is the year of Disney. 2019 sees the release of
following Disney movies – Captain Marvel,
Dumbo, Avengers: End Game, Aladdin, Toy Story 4, The Lion King, Artemis Fowl,
Frozen 2, Star Wars Episode 9. I can see 3 or 4 of them breaking the $1,000,000,000
barrier with Toy Story, Avengers: End
Game (Captain Marvel is a dark horse for that billion
dollars), Frozen, Star Wars being the
most likely to smash that barrier.
There’s also a bucket load of sequels outside the Disney monopoly. You
have the third or fourth film for the John
Wick, Men in Black and How to Train Your Dragon franchises as
well as an utterly needless and totally oblivious to irony sequel to Happy Death Day (it would be ironic is
this franchise started repeating itself). There is also a sequel to the Lego Movie, 47 Meters Down, Zombieland
and I.T to look forward to.
Like every year we have the “huhs?” and the “whys?”. The first “huh?” is
the Guy Ritchie adapted Aladdin. I’m
not sure what Disney producers added Aladdin
with to get the result Guy Ritchie but that’s what the result was. I don’t
think it’ll work. The “whys?” are taken up by a remake of an American remake of
a Japanese film (The Grudge) but the
biggest gripe is the utterly redundant remake of the French heartfelt drama The Intouchables with Kevin Hart and Bryan
Cranston in the lead roles. Ugly Dolls
also looks awful and that cast list of pop singers and R&B artists promises
a hellish experience.
But we’re not here to talk about them or any of the Disney movies. This
may surprise you but there are other movies released next year which, more
likely than not, will be better movies. There’s a new film from Get Out
director Jordan Peele, Sam Mendes is making a World War One movie and there is
a new Martin Scorsese gangster epic (don't forget Quentin Tarantino's new film Once Upon a Time in Hollywood). I don’t mean to be dismissive of these
Disney movies, but everyone would have already included them in their lists so I
tried to be a bit different.
So, in no particular order, here are 10 movies I am excited for in 2019.
The Lighthouse
Robert Eggers The Witch was one of the best horror movies
of the 21st century. It’s slow and measured pace built the tension
and it offered a fascinating look into a family unit torn apart by false
accusations of witchcraft. Eggers’ follows The
Witch with The Lighthouse, a dark fantasy horror film
shot in black and white. Only two cast members are reported to have joined the
project and they are Robert Pattinson and Willem Dafoe.
Ad Astra
I loved James Gray’s The Lost City
of Z as it harked by to the classic, epic adventure stories of David Lean.
His next feature seems even more epic as it sees Brad Pitt travel to the planet
Neptune to track down his father (Tommy Lee Jones) who went missing searching
for extra-terrestrial life. James Gray intended for this film to have the most
realistic space travel ever put to screen. Whether or not this is case remains to be
seen, but it’s going to look incredible especially with Hoyte van Hoytema as cinematographer.
Maradona
Asif Kapadia’s documentary on legendary racing driver Ayrton Senna wowed
fans and non-fans of motorsport (the very unsporty Mark Kermode even dubbed it
‘sennasational’). His third feature focuses on a sporting legend from the same
continent, but from a different sport and different country. This man is Diego
Maradona. Quite simply Maradona was one of the greatest footballers to ever
grace the game. He was also very controversial as his private and professional life has enough
material to fill 20 documentaries rather than solitary one.
The Irishman
Martin Scorsese is returning to the gangster genre with The Irishman which surrounds the
assassination of union leader Jimmy Hoffa. This true to life story stars Robert
De Niro, Joe Pesci, Harvey Keitel and Al Pacino (surprisingly this is the first
time the two worked together). It’s rumored to be Scorsese’s most expensive
ever picture with de-aging technology used in the movie’s many flashback
sequences. It will be 13 years since Scorsese directed a gangster flick (The Departed
– which won him his first Oscar) so anticipation is high for this one. The Irishman
will be distributed by Netflix.
Pet Sematary
I’m quite looking forward to the remake of Stephan King’s Pet Sematary
mostly due to how great I.T was
(which incidentally part 2 is also released in 2019). The directors assigned to
the project are Kevin Kölsch and Dennis Widmyer both are responsible for the
Cronenberg inspired modern classic Starry
Eyes. Whether or not the remake of Pet Sematary
will match the quality of I.T remains to be seen. It’ll be a tough ask and it’s
unlikely it’ll be as much of a smash hit.
1917
Very little is known about Sam Mendes next feature (1917) except its set
during the First World War and it stars up and coming star George Mckay (Marrowbone and Captain Fantastic). In
all honesty I don’t need to know more as the name ‘Sam Mendes’ and words ‘First
World War’ had me already mentally buying the ticket.
Us
Get Out
was amazing. A really smart cult movie that was like if the liberal parents of Guess Whose Coming to Dinner wanted to
harvest the brain of Sidney Poitier’s Dr John Prentice.
Led by a majority black cast, Us
seems to be a home invasion thriller where the home invaders are doppelgangers.
They know everything the victims will do. Creepy.
Sorry We Missed You
The benefits
system in the UK is even more of a hot topic than it was back in 2016 simply
because, since I, Daniel Blake was
released the issue has got even worse. We have a government that does not want
to fix the problem. Thankfully we have a timely Ken Loach picture that will
reveal the shocking circumstances people find themselves thanks to this current
government. Will Ken Loach repeat his Palme d’Or success and win it for the
third time with Sorry We Missed You?
Unlikely but his film will seethe with righteous anger.
Velvet Buzzsaw
Dan Gilroy’s Nightcrawler was the unexpected hit of
2014. It has a passionate, vocal fan base and people are still discovering it
four years later. Even though the success of and reception to Roman J. Israel, Esq was lukewarm it doesn’t stop his next feature,
Velvet Buzzsaw, being one of 2019’s
films to see. Reuniting with Jake Gyllenhaal and wife Rene Russo, Velvet Buzzsaw, is a horror-thriller in which a supernatural force enacts
revenge on anyone who lets greed get in the way of art.
JoJo Rabbit
In JoJo Rabbit director Taika Waititi plays
an ethnically inaccurate Adolf Hitler in what seems a farcical story where a
young boy is devoted to a future in the Nazi party until his anti-nazi (Scarlett
Johannsson) mother hides a young Jewish girl from persecution. Waititi’s
outstanding success with Hunt of the
Wilderpeople propelled him to such great success he was handed the third Thor instalment in the MCU (the best of
the three). He returns to a smaller scale project as the film’s strange casting
(Rebel Wilson and Stephan Merchant as Nazi officers) promises for some farcical
fun.
Outside the English Language
Outside the
English speaking countries there is a wealth of potentially great films. One of
them is from director Paul Verhoeven whose film (Benedetta) about a nun getting into a sexual relationship with
another woman is likely to ruffle a few feathers. I expect accusations to be
along the lines of ‘male gaze’.
Jackie director Pablo Larrain
has two films coming out named Ema
and The True American, the latter
sounds a very timely piece about the murder of a Muslim man shortly after the
events of 9/11. Ema, a Spanish
language film, also sounds interesting.
Like fellow
Mexican Alfonso Cuaron with Roma, Pedro
Almodóvar has chosen his next project to be a semi-autobiographical about his
life as a film director. Antonio Banderas and Penélope Cruz star.
2019 will be our time to shine in cinema. ❤️
ReplyDelete2019'll be fun 💜
ReplyDeleteI'm looking forward to a number of these, but Us most of all. Creepy, indeed.
ReplyDeleteI love Almodovar and want to see his next film, but I have a question about him. Aren't most of his films semi-autobiographical about his life as a film director?
I haven't see much of his films. To be honest, I just ran out of ideas cos it's hard to find on future foreign cinema
Delete