After
dealing with a case in which a father murdered his entire family (a
story which has been told in The Amityville Horror) the Warrens
(Patrick Wilson and Vera Farmiga) decide to put the their demon
vanquishing gloves on ice. However, they are drawn out of their
sabbatical by a case in Enfield, England where a young girl is
possessed by a demonic spirit.
When
it comes to horror films James Wan isn’t exactly subtle, he’s
certainly not from the less is more school of filmmaking. He’s very
much a guy that likes the throw everything at the screen. Most horror
films dial it up to 11 when the film approaches the conclusion, with
The Conjuring 2 it doesn’t dial it up to 11 but to 11,000. For the
majority of the film’s 132 minute running time the film is pretty
damn intense with Wan’s clever use of tension and exposing the classic
childhood fear of the dark. The issue is that the film spends most of
time dialled up to 11 so when the film reaches its conclusion it’s
not particularly gripping, it’s too ramped up to maximum levels of insanity
that, eventually, it loses all semblance of restraint that it’s no longer scary.
That’s
not to say Wan’s use of jump scares isn’t on the whole effective,
but the film is at its best when it’s at its most restrained and
creepy. The best example includes the superb use of framing and focus
in the first scene where Ed Warren speaks to the demon inside the
eleven year old. The scene brilliantly keeps you on edge, focusing on both
Warren and what’s happening or may happen behind him. It’s a
great scene where the film is subtle and the tension is high and with
Ed’s back turned against the possessed victim it’s an unnerving
experience. On the other hand, areas where the film is overbaked,
such as the Crooked Man (whose effects are not convincing), are less
effective.
Clocking
in at just over 130 minutes the film is rather long for the type of
film it is, some of the time is devoted to building the relationship
between Ed and Lorraine Warren and developing the terrorised Hodgson
family. This is done with satisfactory level of success with help
from good performances from Madison Wolfe and both Patrick Wilson and
Vera Farmiga but it’s very easy to forget that other than the
stammering Bobby, the Hodgson family does have another son in the
family (his name is Johnny as you’ve also probably forgotten he
even existed). What isn’t well done is the subplot that addresses the
accusations of fraud and fakery faced by the real Warrens. This
subplot is so lazily discussed in the film, they needn’t have
bothered.
The Conjuring 2 a good, handsomely designed film with effective camerawork that
creeps slightly round the house brilliantly emphasising the fear of
the dark, but it’s one where all restraint is lost and when this
happens the film loses much of its effectiveness.
3/5
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